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Month: November 2016

Posted on November 27, 2016March 17, 2017

Violin Juliet’s almost there

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Photo taken at: Amelia Island

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Violin Juliet’s almost there..#violinjuliet #luthier #violinmaker #ameliaIsland #jacksonville #savannah #staugustine #carving, Amelia Island, Normal

Posted on November 16, 2016March 17, 2017

The Amelia Island String Ensemble. Next performance. “Evening of Appreciation”. Nov 21, 7pm at the Amelia Musical Playhouse!

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Photo taken at: Amelia Island

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The Amelia Island String Ensemble. Next performance. “Evening of Appreciation”. Nov 21, 7pm at the Amelia Musical Playhouse!, Amelia Island, Normal

Posted on November 5, 2016March 17, 2017

Violin Juliet’s Neck starting to take shape

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Photo taken at: Amelia Island

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Violin Juliet’s Neck starting to take shape. #violinmaker #luthier #violin #fernandinabeach #staugustine #savannah #jacksonville #carving, Amelia Island, Normal

Recent Posts

  • Viola Primrose : All together ready for the Balsam ground. A viola jack-o-lantern
  • Viola Primrose: Purfling scroll. Having fun while trimming the edges
  • Viola Primrose: purfling groves cut top and bottom, purfling bent and fit. Now the delicate corner mitres.. slow, focus, centered
  • Viola Primrose: Steady progress I’m going to a workshop the third week of April and this viola will to have the balsam ground complete at least two weeks prior to Joe Robson’s violin varnish workshop. So, rather than spending time posting to social media, I’ve been working steadily on getting this instrument ready. I really enjoy mono-tasking; focusing on simply making Violins, or violas in this case.
  • Viola Primerose: Graduating the top plate of the viola. Could I use CNC for this work? yes. Would it provide the quality of sound I’m pursuing? no. While working down to 5mm even thickness in the graduating I often think to myself, “this is tedious work.” Then as the graduation moves thinner than 5mm the wood starts to come alive. Each stroke of the finger plane starts to have a distinct tone, and as each area gets thinner the sounds change more rapidly. Holding the plate up to a light illuminates the thin and thinner portions. The plane blade glides through the wood or starts to turn up curls necessitating a change of direction. Graduating by hand lets you see, feel, and hear the wood. Getting to know that specific piece of spruce. Knowing and understanding the wood will lead me in drawing out the tone of the plate, and eventually the tone and character of the completed instrument. With CNC you just know the dimensions, not the soul of the sound

Recent Comments

  • Shelby Trevor on About Will & Contact
  • William Howery on Violin Services
  • Layne on Violin Services
  • Layne on I’m a better carver than a 3D modeler, also I like carving more, a lot more. I built this simple 3D probe for my CNC machine. Now a little programming, also better at that than 3D modeling, and I can scan parts to make them on the CNC as a router. Now I’ll have custom chin rest, pegs, tail pieces; not to mention roughed out plates and necks. My goal is to reduce the rough carving and focus on the delicate work that requires a skilled craftsman
  • Todd Goldenberg on About Will & Contact

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